Though Chennai is one of the top Metros of India and is clocking growth in business, infrastructure, and structures, one does not see many attractive architectures in the new buildings.
Occasionally, you come across some architectural features which catch your eye.
I shall attempt to document these, like the one from ELCOT- SEZ, Sholinganallur.
A stucco bas releif of Gajalakshmi on an old building in Mannady, Chennai. Wonder how long this old building can withstand the onslaught of development!
The two cherubs with wings (angles?) look rather unusual in an Indian design. Or do they?
As you would expect in a metro with a history, Chennai has people of all religious faiths. So, it is not surprising to see Jain temples in many of the sections of the city. The one on Kutchery Road Mylapore is quite prominent being located in a busy road very close to the Kapali temple.
Architectural features of a house on Arundel Street, Mylapore (opposite Rayar’s Mess). Does the badge represent any coat of arms or is it just a decoration? Any idea?
From the Chenna Photowalk #139 Streets of North Mylapore
Though dwarfed by bigger buildings, The George Town Magistrates Court Building on First Line Bach (Rajaji Salai) is an interesting structure.
The ornamental inlaid tiles stand out. They are in fairly good condition making you wonder if they were redone recently.
As Rina Kamath writes in her book, “Chennai, Kanchipuram and Mamallapuram”, the building is ” a structure whose riotous ornamentation might startle those who expect sobriety in a seat of justice”.
During my younger days, the only Tamil magazine we used to subscribe regularly was ‘Vanoli’, the fortnightly (?) journal of All India Radio. My father referred to it as ‘The Indian Listener’. It contained the program guide for the AIR stations in the South (there were only a few then), articles on music and musicians with pictures and lyrics and notations of a song that was being taught on AIR Trichy that fortnight. My mother also had a scrapbook of pictures of several singers from the earlier issues of Vanoli. One artiste I vividly remember was Dwaram Venkatasamy Naidu -the musician who overcame blindness and the related stigma to become a violin maestro. More on Dwaram. In those days of limited media, his inspiring story did not receive a fraction of the coverage it would have got today.
His daughter, Dwaram Magathayar who used to accompany her father continued his legacy and was an accomplished performer in her own right.
During 2005 while on a heritage walk in Triplicane with my son-in-law, I was pleasantly surprised to see the bungalow where Dwaram and his family lived.
It was early days of digital photography and I was carrying my Pentax Optio S, a 3 Megapixel palm-sized camera, a gift from my elder daughter. These pictures are taken with the Optio S. See DP Review of the camera.
I am not sure if the bungalow still stands or if it has been bulldozed by the development boom. I plan to find out this weekend.
By the way, does anyone have archives of ‘Vanoli’?